To ensure my workflow stays as effective as possible, I spent a few hours before vocal tracking editing all of the guitar takes I had recorded. This is a similar process i did for the bass editing.

First of all I made sure all of the different takes had been comped and cross faded into one another to avoid any weird pops and to ensure all of the edits were smooth.

Although I made sure that both mics were the same distance away from the amp during the recording process, I still checked the phase alignment, especially against the DI signal, of the two mics and ensured they were both fully in phase with one another. This led to a more effective vocal session and again, will save work before the mix stage.