For my project I will be working with David Farnan (aka DB Jones) to produce a 4-track solo EP which will involve a full band sound. Stylistically it will have elements of indie, indie rock and pop genres, require me to source an appropriate session drummer and to produce it in such a way that it stands up to and stays relevant with my reference playlist.

Aim:

To work with a client to produce, engineer, mix and master 4 tracks of an EP which they can then readily release onto multiple music platforms.

Objectives:

1. To source a client and make contact with them to discuss what direction they want to take with the EP.
2. Work on pre-production with the client so we both have a clearer understanding of what we want to achieve in the recording sessions to ensure an effective workflow throughout the project.
3. Source the appropriate session drummer and work with them and the client to book all of the required recording sessions.
4. Record all of the required parts for the EP using the different outboard techniques and approaches that i have researched whilst making sure the client is happy with with what has been captured.
5. Edit and prepare all of the recorded tracks and then begin the mixing process whilst specifically focusing on the use of outboard processing and different vocal techniques.
6. Ensure the client is happy with the mixes and then, using the research i’ve gathered, master the EP so it can be distributed to the required platforms.

Learning Outcomes

1. To improve my knowledge and understanding of outboard hardware, specifically eq and compression, by researching the workings of the hardware itself, establishing how other producers use hardware and utilising it in my own work for recording and mixing.

2. To improve the way in which I tackle the workflow of the project by ensuring constant contact and communication with the client, improving time keeping and by looking at how other producers create an effective workflow.

3. To improve the sonic aspects of my vocal production by using different recording and mixing techniques that are inside and outside of the box, and then applying the appropriate ones to my work.

4. Have a clearer understanding of the mastering process by looking at the technical aspects of mastering and what it consists of, having an insight into how other producers master their work and benchmarking this project with my previous work to ultimately master this project to a higher standard than before.